Sunday, September 27, 2020

Video Games, Grading, and Small Addictions

 I’ve developed two bad habits lately. Calling them addictions would be an overstatement, but it seems like they’re headed in that direction: compulsions I don’t enjoy, don’t want to continue at the same rate, but have difficulty stopping.

The first is playing video games, specifically Legend of Zelda: Breath of the Wild. It’s beautiful and engaging, maybe the closest thing to a video game masterpiece I’ve seen*. But I’ve been playing it for three years at this point. In that time I’ve beaten the main quest and either completed or intentionally abandoned just about everything else. So now I just hop from point to point on the map, fighting monsters that have died and risen too many times to count by now. There’s always some kind of thrill in the midst of a fight, even though death just means a quick reset and victory only yields a few more monster parts to sell. And once the fight is over and the thrill is gone, I go looking for another monster to start it all over.


My second compulsion is grading. I know that grading is something most teachers avoid and dread and only do out of duty, and I know my view on the matter will probably change once I have more than a few worksheets on my plate. But for me, for now, I find it deeply satisfying to scroll through answers, mark the wrong ones, leave a few critiques or compliments on the more open-ended sections, and add up the final score at the end. It’s so satisfying that when I’ve caught up on grading, I’ll look through Google Classroom, hoping that someone has turned in their assignment since I checked last.


On paper, these habits don’t seem like much to complain about. One is a wholesome and popular hobby that I usually don’t sink more than an hour into each day. The other is literally part of my job, and something I’m sure a lot of teachers wish they could enjoy as much as I do. 


The problem isn’t so much with what I’m doing as it is with what I know I’m not doing in that time. On weekdays I only have a bit of free time, time I could spend reading or writing, chatting with my family or girlfriend or friends from high school, or even playing a video game I’m less familiar with. And during designated working time I have lessons to plan that I’ve barely begun to consider and a research project that looms ahead. So whenever I choose Breath of the Wild or grading, I’m disappointed with my decision. 


But I still keep choosing them, and I think I choose them for similar reasons. For one, they’re both familiar: I’ve got loads of experience with Breath of the Wild and had the concepts on the worksheet mastered a long time ago. They’re also both pretty easy. But despite that ease, there’s always a distinct feeling of accomplishment at the end of each fight or worksheet. My continued enjoyment relies on a comforting myth: that I can keep on doing what I’ve already done, what I’m already good at, and that there’s nothing more to do.


I’m staring adulthood down the barrel right now, particularly the part of adulthood where the last of the comforting structure that guided me since birth disappears and I have to put your life together. It’s no wonder that I’ve found solace in routine and easy victories. Maybe it’s not even unhealthy, kept in moderation. But it’s something I need to try to keep away from.

________________

* Regarding gameplay and graphics, at least.

Sunday, September 20, 2020

Remembering RBG

Our country has had a lot of bad weeks lately, but this probably ranks as one of the worst. The development that affects me most is Donald Trump creating the 1776 Commission by executive order, aimed at shifting public schools curriculum towards thoughtless jingoism and directly opposing the anti-racist 1619 Project (and it doesn’t take an English major to decipher what anti-anti-racism is). So far it seems mostly aimed at history curriculums, but there’s a potential leakage into English as well, and as a soon-to-be English teacher who hopes to give my students an honest and accurate education, this has me worried.


But honestly, that’s probably the week’s smallest disaster. News also broke this week that immigrant women in detention centers are being systematically sterilized. So far we only have an anonymous whistleblower account, but given how close our country has already come to eugenics, that’s enough to be terrified and ashamed.


And then there’s the death of Ruth Bader Ginsburg. When I found out, I was at a socially distanced dinner with some teachers I’ve been working with. One of them got a notification on his phone, said he had some bad news, but then fell silent for a while. During that silence, I was certain that he’d gotten an email from the principal saying that there was a COVID outbreak at our school and we had all been exposed. As it turned out, though it wasn’t the immediate crisis I feared, the news was worse.


When we all found out, there was a little while when we shared the shocked silence, then we said a little about how much she’d done and what a tragedy her death was. But it didn’t take us long to get into the immediate implications. Could the Democrats convince enough moderate Republicans to hold off the vote until after the election? Would Joe Biden take the nuclear option and expand the Supreme Court? Would the Supreme Court stay reasonable enough to hold back the worst case scenarios? Though we didn’t answer any of these questions, anyone offering a hopeful take did so with a shakiness in their voice, and anyone assuming the worst had a grim certainty.


Pretty much every take I’ve seen, online or off, Democrat or Republican, has followed a similar pattern. There’s a respectful moment at the start to mourn her passing, and then an fast shift into what we can or should do about it. Even Donald Trump spent a tweet on her memory before gloating about how quickly he’d replace her, and even if others are more authentic in their grief, remembering her is still always a transition into what her death means politically. There’s something about that feels a little perverse to me. Especially after seeing the documentary RBG a few years ago, I’ve deeply admired Justice Ginsburg, and want to take a little time just to remember all that she’s done and mourn her passing. I want to treat her like any other public figure who led a heroic life, to linger on her memory before moving on.


But I can’t blame anyone else for zipping through the normal rituals because I do it too. I have to; we all do. That’s the problem with representative democracy: we get attached to our favorite leaders. We learn about their personalities, their histories, their families. We feel like we know them. But if they die before they’ve left office, we have to face the fact that who they were as a person matters less to the world than what they had the power to accomplish or prevent. The death of Justice Ginsburg is a tragedy, but only a single life. The threat her open seat poses to reproductive rights, to LGBT rights, to the rights of immigrants, and to so many other issues I can’t name, all go beyond any single life. I know that I’m falling for a fallacy whenever I think that her life was more important than all the lives that depended on her, that we should all slow down and mourn. I know that my desire to slow down comes from a place of privilege too, since I’m one of the least likely citizens to be put at immediate threat in her absence. Still, it’s hard to shake that feeling.


But I’ve found a bit of solace in the increasingly common responses to her death that don’t move from memory to action, but who honor her memory through action. Action is necessary in her death, there’s no doubt, but then again, she defined herself by action. She was a person who dedicated her life to protecting and uplifting the oppressed; doing the same in her name is the most fitting kind of mourning that there can be. It’s a good strategy too, since using her name might be the only way we can shame Republicans into following their own precedent and holding off on a new appointee until after the election. But most of all, I think this kind of remembrance is important because it shows that the attachment we have to our leaders isn’t a one-way street. We aren’t stuck admiring people we’ll never meet and moving on once they die. We can act in their names too, even after they’re gone. 

Thursday, September 10, 2020

Geek Salvation

 


For the first few days of student teaching, I was routinely shocked by how student-like the teachers were. When no one below the age of eighteen is in the room, they swear and call each other by their first names and gossip and procrastinate. Maybe those aren’t distinctly student-like behaviors, though; they’re traits so common you’d find them in nearly any profession. Aside from my parents, teachers were the only grown-ups I interacted with daily, so I grew up subconsciously expecting that everyone grew into the kind of baseline formality that even the most open teacher has around students. Now that I’m grown up enough, I’m constantly surprised to see that it was an act all along. I’d heard that adults were human from countless sources, but I’d never really believed it.


With all these thoughts of teachers and high school and growing up, I keep returning to this one scene in the last episode of Freaks and Geeks, where the AV club teacher breaks down how growing up works to all the nerds. First he graphs the lives of their popular classmates with his hand: sports heroism and friends build to a high point around senior year, then wobble and crash once their charisma and strength can’t cover up their bad work ethics any longer. Next he graphs the years of isolation and sadness that the geeks will endure, all turning around in college where their intelligence wins them wealth and admiration. The dialogue, the score, and the subtle choreography of the teacher’s mimed graphs all make the scene intensely satisfying and hard to disbelieve.


Because it was set in the place and era when they went to high school, my parents waived their usual censorship and let my sister and I watch Freaks and Geeks in elementary school. I don’t remember much of that first watch-through and probably didn’t understand much to begin with, since I quickly gave up trying to decipher all the innuendos and archaic references embedded in the dialogue. But I understood every word of that scene one scene with the AV club, and took it as creed, because it put something to words that I’d been noticing throughout all sorts of my favorite stories: that the heroes were always despised and forgotten, and they always won everything in the end. Ergo, if I wanted to be the hero or win anything, the best place to start out was to be as miserable as possible.


I had a great childhood, but if you’d asked me about it at the time, I would’ve responded with loads of self-pity. Sometimes I passed the time just mentally repeating all the unfairnesses of my life: being the least popular kid in my class (not that it says much in a class of seven), being a weak and skinny boy (not that I had any interest in sports outside running), being bullied (which mostly meant being excluded from activities I didn’t really want to do anyway). And I would feel so joyful thinking this, because to me all this misery was proof that I’d have anything I ever wanted someday.


There’s an oddly religious tone to this idea of childhood suffering equaling adult happiness, a lot of it likely inspired by misinterpretations of Jesus’s Sermon on the Mount. What’s meant to be a comfort to sufferers becomes a celebration of suffering in this warped perspective, and salvation becomes adulthood. Which is stupid, both because adulthood is never certain and because the people who follow this train of logic usually don’t suffer much to begin with. Your stereotypical nerd is unpopular and unattractive, maybe, but also male, white, and either wealthy or well-educated enough to be wealthy soon. Despite all my self-pity, I had a loving family, a stable home, and more opportunities than I’d ever appreciate. From what I’ve seen, people who really suffer have either more dismal outlooks on the future or more active plans than just waiting for fate to take its course and even the scales.


The real irony is that I’m pretty sure the Freaks and Geeks scene that started it all is meant to be ironic. The teacher who tells them all this isn’t the fortune-five-hundred CEO that he guarantees they’ll all be. All we know about him, actually, is that he has a serious smoking addiction. The entire episode is actually about them learning to sympathize with burnout Daniel Disario, who believes he has no future to look forward to.


All this is to say that I’m starting to take a bit of a longer view on life. The freshmen I teach talk about college in hushed and awed tones. Maybe, if I find a chance to bring it up, I’ll point out that life continues well into college, and past it eventually, though I’m not sure they’ll listen. I sure didn’t.